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Film Riot Extras
Приєднався 4 лют 2011
A Brand New Way to Get a Film Made
Chris and Zeek are the writer/director team behind PROSPECT, an indie sci-fi film that broke through the ceiling of its budget and has since gone on to find its audience on streaming. Even though Chris and Zeek were happy with their film, they couldn't help but think that there must be a better way to get a budget for their film while retaining creative control and including the wider community around the project. With the birth of NFTs, they think they have found that answer.
Today, Ryan chats with the filmmakers about their new venture with The Fringe and how it might change how films are made forever.
Today, Ryan chats with the filmmakers about their new venture with The Fringe and how it might change how films are made forever.
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Відео
Independent Filmmaking: Pitching, Budgeting, & Casting
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Via Twitter Spaces, Ryan interviews Scott Glassgold, who answers an array of questions in regards to pitching, budgeting, casting your lead, look books, studio vs. independent filmmaking, and funding feature and TV projects. Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an inn...
14 New Filmmaker Assets from Triune Digital
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This Black Friday we are having another massive sale and releasing 14 brand new products! Check out more details here: bit.ly/3DMcF1o
Sound Mixing Amazon’s The Boys
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Alexandra Fehrman is the Emmy nominated Sound mixer of Amazon's 'THE BOYS'. Her work spans series and features with projects like Killer Joe and Wu-Tang: An American Saga. But what is a sound mixer, and what do all of the other departments inside the sound team do? Alexandra sheds light on that, plus some of her tricks for landing the sound for some common and not-so-common scenarios.
Getting Ambitious with an Indie Budget
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How do you make a small budget seem large or few resources seem plentiful? That is what Ryan and Colin Levy discuss in this latest episode. Colin is no stranger to making an indie budget look like a Hollywood blockbuster. His short film, Skywatch stands shoulder-to-shoulder with some of the biggest films you've seen, all done with far fewer resources than you'd think. Assets for Filmmakers: www...
Editing HBO's Mare of Easttown
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Amy Duddleston is the Emmy nominated editor of HBO's MARE OF EASTTOWN. Amy's work span decades and genres, culminating in a wellspring of wisdom and talent. From the shot-for-shot PSYCHO remake to the Tarantinoesque Amazon series HUNTERS, Amy consistently wields an incredible sense of pacing, story, and character. Today Ryan and Amy dive into Amy's work and how she constructs such engaging and ...
Developing, Pitching, and Selling Feature Films
Переглядів 1,7 тис.3 роки тому
Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films - such as Prospect and The Beyond. Recently Scott has driven several high-profile de...
The Importance of a 1st AD
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The importance of the First Assistant Director can't be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director. And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ, and the recent Netflix original Concrete Cowboy on his resume, it's safe to say tha...
Directing Extraction with Sam Hargrave
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Sam Hargrave is the director behind the new Netflix original, Extraction, starring Chris Hemsworth. While Extraction is Sam's first feature as a director, it's far from his first experience with action. With credits in Atomic Blonde, Winter Soldier, Civil War, Infinity War, and End Game, Sam has been a part of creating some of the most exciting action of the last 10 years. In this episode, Sam ...
Writing/Directing 'I Care a Lot'
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J Blakeson is the writer/director behind the new Netflix original, I Care a Lot, starring Rosamund Pike. J started his career like many of us did, making films with his friends and just trying to figure it out. By 21, he had his first agent and went about trying to get his scripts made. After some years of frustration, J took matters into his own hands and wrote a film that he knew he could mak...
Up to 60% off Filmmaker Assets!
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Massive Black Friday sale on all our Filmmaker Assets! bit.ly/trdigitaltw
Telling Stories that Matter
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The journey toward making the feature film “CLOUDS”-now available on Disney -was a long one for director Justin Baldoni. In 2013 Justin released a short doc on Zach Sobiech, a remarkable 17-year-old diagnosed with osteosarcoma. The story of Zach’s life, how he lived, and how he brightened the world for everyone around him struck a massive chord with Justin. Since then, bringing that story to th...
Making a Creature Feature
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Brett and Drew Pierce are the writer/director team behind the new horror film THE WRETCHED, an old school creature feature with more going on under the hood than just scares. While having a background in Hollywood productions, the brothers still approach their work with a "do-it-yourself" attitude and a complete willingness to roll up their sleeves and get their hands dirty to make their film h...
Don't wait for Hollywood to Make Your Film
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Make your film! That is what drives the team behind the new comedy FAITH BASED. From shooting with iPhones in their living rooms, to what it ultimately became-a full-blown feature film with an impressive cast (Jason Alexander, Lance Riddick, and David Koechner, just to name a few). Vincent Masciale, Luke Barnett, and Tanner Thomason were going to make this film, come "hell" or high water. Now w...
Finding Success in Filmmaking
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“Proceed as if” is some of the best advice a young filmmaker can hear, it perfectly encompasses so many important ideas. But that isn’t the only gem Quincy Ledbetter drops in this latest episode. From the beginning of his infatuation with film sitting in a theater watching Last Action Hero, to finding his way into writing and directing through music and photography - Quincy has always done just...
Making and Distributing Your Film Independently
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Making and Distributing Your Film Independently
How a Hollywood Legend Directs Actors
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How a Hollywood Legend Directs Actors
Directing a Blockbuster with an Indie Budget
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Directing a Blockbuster with an Indie Budget
Writing & Directing Story Driven Horror
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Writing & Directing Story Driven Horror
Emotionally Impactful Cinematography w/ Jody Lee Lipes
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Emotionally Impactful Cinematography w/ Jody Lee Lipes
MAKING "STAR WARS: ORIGINS" - A FAN FILM
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MAKING "STAR WARS: ORIGINS" - A FAN FILM
Writing for Film and Television with Dayna Lynne North
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Writing for Film and Television with Dayna Lynne North
Writing & Directing your First Feature
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Writing & Directing your First Feature
Editing for Quibi & What Makes a Story Work
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Editing for Quibi & What Makes a Story Work
Producing for Film and Television with Yolanda T. Cochran, P.G.A.
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Producing for Film and Television with Yolanda T. Cochran, P.G.A.
Balancing Music and SFX with Dynamics
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Balancing Music and SFX with Dynamics
Layering Audio for Massive Sound Effects
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Layering Audio for Massive Sound Effects
Directing for an Audience with Alison James
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Directing for an Audience with Alison James
Advice from a Hollywood Manager with Scott Glassgold
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Advice from a Hollywood Manager with Scott Glassgold
Making Your Project Happen with Cassandra Ebner
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Making Your Project Happen with Cassandra Ebner
Such a great interview!
Jim is my spirit animal.
Un petit jeu indé qui prends pas trop de place ? ... Celeste ?
Is Isaiah Smallman mormon?
👍 👍
Kung Fury
footage
Ponysmasher is a great guest. Interview style and questions leaves a bit to be desired.
great podcast!
I came back in time to say you could have put a green cloth on the chair just so you wouldn’t have to do too much roto work
Droping 'Everything, everywhere, all at once' as it was "cool, but nobody knows about it".. a year later is a multi-awarded movie.
Ya flip the clip so the tail slate shows in the thumbnail. I’m not even an editor and I know that
Both of you STOP overusing and misusing the word "like", because when you do it makes you sound unintelligent and unprofessional of which you are neither.
after effects is powerful but takes forever to make an effect
iss
Встретились две легенды!
Amazing!! Thanks for this channel! Please post more
My composer told me that’s called “temp love” and you should either buy and use the temp or let the composer do their job. 😀
Thanks so much for the tutorial, which I used to make this version: ua-cam.com/video/y4gi1B7vgz8/v-deo.html (you can skip to 4:10). Wish you had this tutorial for Resolve, though!
OH MY GOSH... I Love these 2 guys... The Best of the Best... Thank y'all for making this great movie... I am such a FAN of both of you.
Hi there Sean. Is there a way for Wire removal using a free software such as Shotcut or any other free software? you guys are doing a great job.
This information is priceless. Thank you.
where are the podcasts?
what's the final footage?? It seems like action, thrill genre something I'm interested to see
Yeah but i need it but its like 40$.. this is to expensive :/
22:40 oh yes...oh yes, lol...the films today are too long...
I think more so today than when he said that, lol...I mean...recently, the last few years, perhaps...or maybe it was already the case back then, lol...
Very real tutorial. Some people think there are magic ways for everything, but sometimes it is detailed work.
Can anyone recommend any practice footage to apply these techniques to?
Which editor are you using bro 😍🔥
Adobe After effects
1:27/20:39
Subscribed! 🤩
Hey Brother, Love the content. Ive graduated with an audio engineering degree. Looking for some direction for independent sound design work and resources.
What wires do they even use??
I love these podcasts, they're so under watched. I can't believe I'm here this early!
Great advice and super likable
Excellent questions!
David is very talented. His shorts were well crafted and engaging. Some of the stuff on YT, is copy and paste. No one trying to do their own thing.
💐 p̾r̾o̾m̾o̾s̾m̾
Excellent tutorial, thanks a lot!
Did you use a motorized slider to pull this off? The shot of the actor and the clean plate are so spot on!
Nvr understood the transition from AE to PE. One is so tech the other creative. Sitting in room organizing files does not always make a great editor. In Shiffs case I may be wrong.
I’m on that Film Riot podcast binge right now it this one flipping SLAPS. Love the energy and inspiration lads ❤️
It is an cool idea for a scifi world, but I think it is better fit for a video game like Borderlands, than a movie.
Fuck NFTs
Absolutely missed that music intro 🥺
I love Prospect. It's what got me into filmmaking. I can't wait to see what they come up with.
NFTs can go fuck themselves.
was interested, until I heard "Blockchain" and "NFT" 👎
Blockchain is great, NFT's might be a fad but what if it's not? People said the same thing about cellphones and social media.
It's the Green Bay Packers model of raise funds by selling collectibles. I've heard dumber ideas.
@@hughmungus7425 i think the unfortunate thing is there is a Stigma against NFT and Blockchain, due to so many people trying to make money with low effort content, that it gives actual unique and worthwhile art a bad look. Unfortunately that is unlikely to change. More power to the creators if they can genuinely make it work. I just really dont want to associate myself with anything NFT related
@@jwdoom i feel it would be better off to have something physical, not a string of characters representing what you paid for. I feel the same way about “tickets” to virtual events or livestreams. The digital scarcity model is incredibly idiotic, because digital goods are inherently infinite. So its from the getgo disingenuous to sell something as a digital asset and claim that there is only one I would rather see them sell the Actual asset, like a physical prop or in universe merchandise. Or hell even a 3D model someone can actually use for something like a VRChat avatar.
Its eventually going to be the future, and not being a part of it will be the failure.
7:19 - dammit dude! Why did you interrupt David /change topic when he was about to talk more about being greenlit and not greenlit!! #facepalm
How to tie up the wire first of all ?